I've chosen images from the Sony A7 III (ILCE-7M3) for use in this comparison, as its been available for long enough for Adobe to fine-tune its rendering, while its price tag and resolution are broadly similar to those of the Canon EOS R and Nikon Z6 used in my previous manufacturer software comparisons. To ensure neither Adobe nor Sony had any advantage out of the gate, I've aimed to reproduce, as closely as possible, the look of already-processed images from our galleries, without any prior knowledge as to the recipes behind them.Īdobe Camera Raw version 13.0's user interface. My computer is a 2018 Dell laptop running Windows 10 version 1909. For Adobe, that's Camera Raw 13.0 and Bridge 11.0. This comparison is based upon the most recent versions of each application at the time of writing. *Sony does include a version of Capture One, called 'Express,' with camera purchases, which we'll investigate in a future article. ![]() As with previous articles in this series, I'm limiting myself only to still image editing in the interests of keeping things to a readable length, and won't address features like image management, tethering or printing. ![]() In this article, we'll take a look at how Imaging Edge Desktop compares with the 800-pound gorilla in the room, Adobe Camera Raw, whose algorithms also underpin the company's popular Lightroom Classic application. Sony Imaging Edge Desktop version 3.0's user interface. But if you're a Sony shooter, there's an option which is available entirely free of charge along with your camera purchase: Sony Imaging Edge Desktop. ![]() For most photographers, the digital darkroom is based around payware or subscription software from the likes of Adobe, Capture One, DxO or one of their many rivals.
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